Daily Bible Verses | Christian Prayer And Faith | How To Read The Bible | Teaching The Gospels In Parables

As the disciples accompany Jesus on the way to Jerusalem, so we are asked to unite ourselves to Jesus in his passion and death, so that we may share in his resurrection and accompany Jesus in his glory as Holy Week culminates in Easter [ … ]

 YouTube: Ash Wednesday | T.S. Eliot | Audio Christian Poetry | Word Aloud Ash Wednesday, one of T.S. Eliot’s most profound and enigmatic poems, marks a significant transition in his life and work. Written in 1930, it is the first long poem Eliot composed after his conversion to Anglicanism in 1927. The poem, often considered one of Eliot’s masterpieces, delves into themes of faith, redemption, and spiritual struggle. It reflects the poet’s personal journey towards spiritual enlightenment and serves as a testament to his newfound religious beliefs. A reading of Ash Wednesday is an exploration of the poem’s religious, literary, and personal contexts, as of the poem’s complex structure and themes. Religious Context And Symbolism Ash Wednesday is deeply embedded in Christian symbolism and tradition. The title refers to the first day of Lent in the Christian liturgical calendar, a day marked by penance, fasting, and prayer. Ash Wednesday is a time for reflection on mortality and repentance, themes that are intricately woven throughout the poem. Eliot’s conversion to Anglicanism profoundly influenced his writing; ‘Ash Wednesday’ is an expression of spiritual awakening and quest for redemption. The poem is replete with religious imagery and references, drawing on Christian doctrine and scripture. The use of liturgical language, biblical allusions, and references to saints and spiritual figures creates a tapestry of faith that invites readers to contemplate deep spiritual truths with which Eliot is grappling. The repetitive and prayer-like quality of the verses echoes meditative practices of the faithful, in part enabling the contemplative nature of the poem. Literary Influences And Techniques T.S. Eliot was a master of literary allusion and technique, and Ash Wednesday expresses Eliot’s ability to blend various influences into a cohesive whole. The poem reflects the influence of Dante, particularly The Divine Comedy, which Eliot admired for its exploration of spiritual ascent and redemption. Dante’s journey through Hell, Purgatory and Heaven parallels Eliot’s own spiritual journey, and the structure of Ash Wednesday can be seen as a reflection of this pilgrimage. Eliot’s use of fragmented narrative, a hallmark of his earlier work such as The Waste Land, is also present in Ash Wednesday. However, in this poem, the fragmentation serves a different purpose. Instead of depicting the disintegration of modern society, it mirrors the fragmented and often painful process of spiritual rebirth. The disjointed structure reflects the internal struggle of the speaker, who is torn between the pull of worldly desires and the aspiration for divine grace. The poem’s language is rich and varied, combining the lyrical and the obscure, the personal and the universal. Eliot employs a range of poetic forms and devices, including free verse, rhyme and meter, to convey the tumultuous journey of faith. The shifting tone and style reflect the complexities and contradictions inherent in the spiritual quest, capturing moments of doubt, despair, hope, and transcendence. Personal Significance Ash Wednesday is a deeply personal work. Eliot’s conversion to Anglicanism marked a profound shift in his life, providing a sense of purpose and direction that had been missing. The poem can be read as a reflection of Eliot’s own struggles with faith and his efforts to reconcile his intellectual skepticism with his desire for spiritual certainty. Eliot’s personal experiences, including his troubled marriage and professional pressures, also inform the poem. Themes of renunciation and acceptance, sin and redemption, are not merely abstract concepts but lived realities for the poet. This personal dimension adds a layer of intimacy and urgency to the poem, which thereby resonates with readers who have faced their own spiritual crises. Thematic Exploration At its core, Ash Wednesday is a meditation on the possibility of spiritual renewal in a world that often seems devoid of meaning. The poem grapples with the tension between faith and doubt, reflecting the existential struggles of modernity. The poem acknowledges the difficulties of maintaining belief in an age of skepticism but ultimately affirms the possibility of redemption and grace. The central theme of renunciation is explored through imagery of ascension and purification. The speaker’s journey is marked by a series of renunciations, symbolizing the shedding of earthly attachments in pursuit of spiritual truth. This process is neither straightforward nor easy; it involves moments of intense struggle and introspection. Yet, through this arduous journey, the speaker moves closer to a state of spiritual clarity and acceptance. Ash Wednesday | T. S. Eliot Because I do not hope to turn again Because I do not hope Because I do not hope to turn Desiring this man’s gift and that man’s scope I no longer strive to strive towards such things (Why should the agèd eagle stretch its wings?) Why should I mourn The vanished power of the usual reign? Because I do not hope to know The infirm glory of the positive hour Because I do not think Because I know I shall not know The one veritable transitory power Because I cannot drink There, where trees flower, and springs flow, for there is nothing again Because I know that time is always time And place is always and only place And what is actual is actual only for one time And only for one place I rejoice that things are as they are and I renounce the blessèd face And renounce the voice Because I cannot hope to turn again Consequently I rejoice, having to construct something Upon which to rejoice And pray to God to have mercy upon us And pray that I may forget These matters that with myself I too much discuss Too much explain Because I do not hope to turn again Let these words answer For what is done, not to be done again May the judgement not be too heavy upon us Because these wings are no longer wings to fly But merely vans to beat the air The air which is now thoroughly small and dry Smaller and dryer than the will Teach us to care and not to care Teach us to sit still. Pray for us sinners now […]

Office Of Readings | Tuesday, Lent Week 5 | A Reading From The Sermons Of Pope Saint Leo The Great ‘The cross of Christ is the source of all blessings, the cause of all graces.’ Context And Authority Of The Preacher Pope Saint Leo the Great served as Bishop of Rome from 440 to 461, during a time of both doctrinal dispute and political upheaval in the Western Roman Empire. A formidable theologian and administrator, Leo is perhaps best known for his Tome to Flavian, which played a decisive role at the Council of Chalcedon in 451 in defining the doctrine of Christ’s two natures, divine and human, in one person. In his sermons, Leo combined robust doctrinal teaching with pastoral urgency. His Lenten and Paschal homilies frequently dwell on the mystery of the Passion of Christ—not as an occasion for pity, but as the moment of divine triumph. This sermon reflects that theme with particular clarity, inviting believers to see the cross not as a defeat, but as the very axis around which salvation and history turn. The Hour Of The Cross As The Hour Of Glory Leo begins with the Johannine declaration: ‘The hour has come for the Son of Man to be glorified.’ (John 12:23) This ‘hour’ is the Passion—Jesus’ betrayal, suffering, crucifixion, and death. But for Leo, as for John, this hour is not one of defeat but of exaltation. The cross is the throne from which Christ reigns, the place where he exercises judgment, mercy, and kingship. ‘Now is the judgment of the world,’ Christ says. ‘Now will the prince of this world be cast out.’ (John 12:31) The cross, Leo teaches, is the instrument by which the dominion of sin and the devil is overthrown. It is not merely a historical event, but an ongoing act of cosmic redemption. When Christ is ‘lifted up’, he draws all people to himself—not just by example, but by the objective power of his redemptive act. The Cross As The Fulfilment Of All Sacrifices Leo then turns to the sacrificial character of the cross. In doing so, he places Christ’s Passion in continuity with the sacrificial system of the Old Covenant. The temple rites, the offerings of animals, the ministry of the Levitical priesthood—all of these are fulfilled and transcended in the one perfect sacrifice of Christ. ‘The different sacrifices of animals are no more: the one offering of your body and blood is the fulfilment of all the different sacrificial offerings.’ Here Leo anticipates later Eucharistic theology by linking Christ’s self-offering on the cross with the offering of the Church in the Mass. He draws a typological line from the foreshadowings in the Law of Moses to their perfection in the Paschal mystery. Importantly, Leo emphasizes that the cross did not simply end the old order; it transformed it. There is now a ‘more distinguished order of Levites’, referring to the Christian priesthood, and a ‘greater dignity for the rank of elders’. The Christian sacramental economy flows directly from the cross. The Cross And The Unity Of The Church One of the most profound claims in this sermon is that the cross is not only redemptive but unitive: ‘There is also one kingdom gathered from all peoples.’ This is a subtle but powerful statement of ecclesiology. The cross unites the scattered children of God into one body—the Church. It is through the cross that division, especially between Jew and Gentile, is overcome (cf. Ephesians 2:14–16). Christ’s Passion creates a universal communion, not merely by calling all nations, but by reconciling them through his blood. For Leo, the Church is not an afterthought to the cross but its very fruit and fulfilment. Christ Died For Sinners | The Unmerited Nature Of Grace Leo next turns to the soteriological core of the Christian message: ‘Christ died, not for the righteous or the holy but for the wicked and the sinful.’ This line echoes Romans 5:8 and stresses the unmerited nature of divine mercy. There is no room for self-righteousness or spiritual pride in Leo’s theology. Salvation is the free initiative of God, who meets humanity in its need, not in its strength. Leo uses the language of substitution: though the divine nature cannot suffer, Christ assumed a human nature ‘so that he could offer something on our behalf.’ The idea is not that God required suffering, but that only by taking on our condition could Christ redeem it. His death is a confrontation with death itself—a defeat of death by means of death. The quotation from Hosea 13:14—’O death, I will be your death’—highlights the dramatic reversal: death, once the master of humanity, has been overcome by the dying and rising of Christ. The Cross As The Pattern Of Christian Life While the sermon focuses on the objective power of the cross, its pastoral implication is never far from view. For Leo, the believer is not merely a recipient of the benefits of the cross but is called to share in its pattern. Although Leo does not explore this in detail in this passage, his broader corpus makes clear that the Christian must imitate Christ’s humility, obedience, and love. The cross is not only a source of grace but a template for discipleship. This is particularly relevant during Lent, when the Church contemplates the Passion in preparation for the renewal of baptismal vows at Easter. A Reading From The Sermons Of Pope Saint Leo The Great Our understanding, which is enlightened by the Spirit of truth, should receive with purity and freedom of heart the glory of the cross as it shines in heaven and on earth. It should see with inner vision the meaning of the Lord’s words when he spoke of the imminence of his passion: The hour has come for the Son of Man to be glorified. Afterwards he said: Now my soul is troubled, and what am I to say? Father, save me from this hour. But it was for this that I came to this hour. […]