Listen To The Bible! | Psalm 93 | King James Audio Bible KJV | Majesty Of God’s Rule | Prayer With Jesus And King David | True Faith In God | Pray The Psalms
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Psalm 93 declares the authority and lasting nature of God’s rule. The psalmist depicts God as a majestic ruler, emphasizing God’s enduring reign and unchanging authority. A thought is that God’s rule isn’t recent; it has been in place forever, representing a timeless and unwavering sovereignty.
The psalm uses imagery of surging floods to symbolize life’s challenges. Despite the chaos, the psalmist asserts that God is more powerful than the most overwhelming circumstances. Turbulent waves of life are nothing compared to God’s control and strength, offering reassurance to those who trust in God.
The conclusion of the psalm underscores the reliability of God’s promises and inherent holiness of God’s dwelling place. The psalmist assures that God’s promises are steadfast, and His presence is characterized by holiness.
Psalm 93 is a direct proclamation of God’s enduring rule and stability. It invites listeners to reflect on the unchanging nature of God’s authority, God’s control over life’s challenges, and the reliability of God’s promises.
Psalm 93 | King James Audio Bible KJV | Love Revealed By Jesus Christ
The Lord reigneth, he is clothed with majesty; the Lord is clothed with strength, wherewith he hath girded himself: the world also is stablished, that it cannot be moved.
Thy throne is established of old: thou art from everlasting.
The floods have lifted up, O Lord, the floods have lifted up their voice; the floods lift up their waves.
The Lord on high is mightier than the noise of many waters, yea, than the mighty waves of the sea.
Thy testimonies are very sure: holiness becometh thine house, O Lord, for ever.
Psalm 93 | King James Audio Bible KJV | Love Revealed By Jesus Christ
Divine Sovereignty: Psalm 93 centres on the theme of God’s rule and authority over all creation, emphasizing God’s enduring reign.
Eternal Stability: The psalm underscores the timeless nature of God’s throne, highlighting His existence from ancient times and beyond.
Symbolism Of Floods: The surging floods symbolize life’s tumultuous challenges and uncertainties.
God’s Supremacy Over Challenges: Despite chaos represented by the floods, the psalm affirms God’s might and supremacy over life’s overwhelming circumstances.
Assurance And Reassurance: The psalm provides reassurance to those facing difficulties, assuring them of God’s strength and control.
Reliability Of God’s Word: Testimonies of God are portrayed as sure and steadfast, emphasizing reliability of His promises.
Holiness Of God’s Dwelling Place: The psalm concludes by highlighting the holiness that characterizes God’s dwelling place, signifying God’s divine perfection.
Throughout the psalm, the psalmist’s emotions are evident. He’s troubled and tired, wondering how long his suffering will continue. There is, crucially, an entire emotional as intellectual self-revelation in prayer and openness to God. There is honesty – honesty in prayer absolute [ … ]
Psalm 62 expresses faith and trust in God, highlighting the unwavering relationship between the psalmist and God. The psalm is a testament to enduring belief in God’s unchanging character and His role as ultimate source of salvation and refuge [ … ]
The Carrefour will be open, where I can buy nuts for the red squirrel, who lives in Campo Grande. The red squirrel is Valladolid’s best bit. Even as a child, I had never seen one before, apart from in picture books. It was last term’s discovery. The most beautiful encounter. I didn’t know it was there – in the park. A complete surprise. The tiny little thing bobbled and hopped, as it received in its little hands a nut from the man’s hands. Each surprising instant – it was childlike. I whispered: ‘Oh my wow.’ I walk toward the El Cortes Ingles. There is, for now, that settled feel of friends in bookshops. Though a null-affect, neutral day – it won’t glean, it is not to be scratched at. The queues are long in the Carrefour. Though, as it might be, on relatively modest incomes, many people live centrally. Their behaviours neither pinched nor stark. Yet the shop so busy while the street so empty… An error in the simulation, a glitch in the code. I potter about the aisles, which are pleasant enough, then at the tills I flinch at how expensive a little bag of up-sold nuts can be. Nonetheless, I queue for a packet of almonds. Two English men queue directly ahead of me. They are stocky, and have gay voices, their wheelie-bucket piled with soft drinks and party food, while they bitch to one another about the obviously terrible party they’re going to. The air heaves relief as I wander up the way to the broad plaza fringing Campo Grande. This is a place to see – a piece of Spain. There is a tourist information office, though unopened. At these fountains, three girls take selfies. Pompous-looking buildings, the military offices aside, line the park’s nearest vicinities. Hotel-bars have their patches. Liveried doormen idle time, for there are no paying customers, in and out the doorways’ shadows. A mixed group of kids play at the hoops on the pedestrian boulevard, and two boys practise on skateboards, working the thing out. I pass by them, touched by the thought, and happy that they are there. Wistful, I smile at the odds of the ball spilling over to me, and play in mind the agreeable scene of a fleeting connection. Then I am through the park gates. An air now – of humanity become self-selecting. Modestly understated. Understatedly modest. Campo Grande is nice but it isn’t grande… I walk slowly, and very soon hear for a second time English voices. Not them – it is an English family, just a little way ahead, a Dad and a Mum and a younger boy and an older girl, and theirs are Midlands accents. Dad seems to have been here and to know the place. He gestures panoramically. Mum wants her lunch. The girl at a difficult age. She carries a balloon-on-a-stick. Though she is sprouting – yet wears a loud dress. Then leggings, trainers. Her hair is nice… Maybe she is being okay about it. And not horrific. It’s okay once they get into it, but those months… Yet then, they mostly blossom, if they come from a good home, and become rounded personalities, entering into their womanhood. It was that… when yet they weren’t… I shudder to think of it. They walk toward the pond, and I trail, and would follow had I not been going that way. I wish I could say something so they might hear I am English too. (Fake a phone call?) How my voice might sound – there’d be all college hurling around in such matter I… a demented thing, ludicrous blurt – of Henry, Geoff, and all of them – not to mention the personal predicament. Maybe they’re a nice family. She is letting him explain what he needs to explain. And it would blow his fire, me being English. Mum and Dad. You’d probably see them all having their lunch in a little while. All sat round the table. With napkins and the menus out. Dad looks safe. I look into the pond. Terrapins live in there. But not today. I walk toward the join in the paths where the squirrel lives. There, I crumple the packet of almonds, making noise. I peer and I squat and crouch – chewing a mouthful. All the peacocks have perched right up in the trees’ branches. That never looks like something they should be doing. It’s disappointing that the squirrel isn’t here – but then the not-knowing-if is a part of it. Now, next, my visit to the National Sculpture Museum is an obligation. Canon Peter stood literally aghast when I hadn’t heard of it. Mortified, I made resolute promises. Though a few weeks have passed, it isn’t just any old something I could do on the hoof. A great commitment – it must command a known and prepared and anticipated not-just-any-old-time. But, rather, the sort you must wait for – and listen for. [ … ] Beyond Plaza Mayor, there would be a brief series of old-town alleyways. The National Sculpture Museum would be – just up there, this archway, this next…They are bleached and forgotten-looking walls, and the smoothed paving could be medieval. Not that it is making Tomàs anxious – I follow the map. A kind of place – uneasy credit-cards, and modern vaccinations, and a phone, might not help much. I fancy I feel the back-wall of a church, and that – fancifully – pressure-release drawn out of me. Only I am playing games in a nice way – making play-scared on the uncertainty – with only myself to see. The National Museum is there, modestly signed on stencilled plexiglass stuck to the stone wall. A uniformed lady sits just a little way inside the doorway. She reassures me there is no money required, and directs me over the courtyard into the planned route, showing me where I can pick up a free map. I get my […]
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