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Listen To The Bible! | Psalms | King James Audio Bible KJV | Love Of Jesus Christ Revealed

Listen To The Bible! | Psalm 95 | King James Audio Bible KJV | A Call To Worship And Salvation | Prayer With Jesus And King David | True Faith In God | Pray The Psalms

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Psalm 95 | King James Audio Bible

YouTube: Psalm 95 | KJV | King James Version | Audio Bible | Word Aloud

The psalm opens with an exuberant summons: ‘O come, let us sing unto the Lord: let us make a joyful noise to the rock of our salvation.’ This lively call to worship sets the tone for a collective celebration, a harmonious expression of gratitude and joy directed towards God. The reference to the ‘rock of our salvation’ reminds of God’s steadfastness and reliability, a foundation on which believers can confidently stand.

This invitation extends beyond mere vocalization; it encompasses the posture of the heart. ‘Let us come before his presence with thanksgiving, and make a joyful noise unto him with psalms.’ The act of thanksgiving becomes intertwined with the music of psalms, suggesting an holistic worship experience that engages both the vocal and reflective dimensions of the worshiper.

The psalmist presents a theological assertion: ‘For the Lord is a great God, and a great King above all gods.’ This declaration underscores unparalleled greatness and supremacy of God, positioning God as unrivaled King above all other perceived deities. This sets the stage for contemplation of God’s creative power and sovereignty.

Imagery employed emphasizes God’s dominion: ‘In his hand are the deep places of the earth: the strength of the hills is his also. The sea is his, and he made it: and his hands formed the dry land.’ These verses portray God holding the earth’s depths, sculpting the majestic hills, and forming both the vast sea and the solid ground. The natural elements are depicted as the handiwork of God, prompting recognition of God’s creative prowess.

The psalm takes a reflective turn, transitioning from jubilation to humble reverence: ‘O come, let us worship and bow down: let us kneel before the Lord our maker.’ This shift in tone invites the worshipers not only to celebrate but to approach God in posture of humility and awe, acknowledging God as their maker.

The psalmist reinforces this relational dynamic: ‘For he is our God, and we are the people of his pasture, and the sheep of his hand.’ This intimate portrayal encapsulates the covenantal bond between God and His people. The pastoral imagery conveys God’s care, with believers depicted as the sheep under His attentive and protective guidance.

Amidst the call to worship and acknowledgment of God’s greatness, the psalm introduces a note of urgency and caution: ‘Today if ye will hear his voice, Harden not your heart, as in the provocation, and as in the day of temptation in the wilderness.’ The historical reference to the Israelites’ hardening of hearts during the wilderness journey is a cautionary tale, urging worshipers not to repeat the mistakes of their forebears.

The psalmist recalls the Israelites’ testing of God and their subsequent forty years of wandering: ‘When your fathers tempted me, proved me, and saw my work. Forty years long was I grieved with this generation, and said, It is a people that do err in their heart, and they have not known my ways.’ This reflection on past disobedience is a sobering reminder of the consequences of a hardened heart and a deviation from God’s ways.

The psalm concludes with a divine oath: ‘Unto whom I sware in my wrath that they should not enter into my rest.’ This reference to God’s solemn oath, made in response to the disobedience of the Israelites, underscores the gravity of the Israelites’ actions and isa cautionary conclusion to the call for worship. It emphasizes the importance of receptive hearts and a willingness to heed God’s voice to enter into His rest.

Psalm 94 | King James Audio Bible KJV | Love Revealed By Jesus Christ

O come, let us sing unto the Lord: let us make a joyful noise to the rock of our salvation.

Let us come before his presence with thanksgiving, and make a joyful noise unto him with psalms.

For the Lord is a great God, and a great King above all gods.

In his hand are the deep places of the earth: the strength of the hills is his also.

The sea is his, and he made it: and his hands formed the dry land.

O come, let us worship and bow down: let us kneel before the Lord our maker.

For he is our God, and we are the people of his pasture, and the sheep of his hand. Today if ye will hear his voice,

Harden not your heart, as in the provocation, and as in the day of temptation in the wilderness:

When your fathers tempted me, proved me, and saw my work.

Forty years long was I grieved with this generation, and said, It is a people that do err in their heart, and they have not known my ways:

Unto whom I sware in my wrath that they should not enter into my rest.

Psalm 95 KJV | King James Audio Bible | Oliver Peers | Word Aloud | King James Version Audio

Psalm 95 | King James Audio Bible KJV | Love Revealed By Jesus Christ

  • Invitation To Worship: Psalm 95 opens with a vibrant call to worship, inviting believers to engage in joyous singing and celebration before the Lord.
  • Acknowledgment Of God’s Greatness: The psalm emphasizes the greatness of the Lord, highlighting His status as a great God and King above all gods. It underscores God’s sovereignty and majesty.
  • Creative Power Of God: Imagery is employed to depict God’s creative power, with references to His hand holding the deep places of the earth, the strength of hills, and the formation of the sea and dry land.
  • Posture Of Humble Reverence: Amid the celebration, the tone shifts to a posture of humble reverence, urging worshippers to bow down, kneel, and acknowledge the Lord as their Maker.
  • Covenantal Relationship: The psalm emphasizes intimate relationship between God and His people, portraying believers as the sheep of God’s pasture and underscoring care and guidance provided by God.
  • Cautionary Reflection: A cautionary note is introduced, referencing the historical disobedience of the Israelites in the wilderness. The psalm warns against hardening the heart and emphasizes the significance of heeding God’s voice.
  • Divine Grief And Consequences: Reflecting on the Israelites’ disobedience, the psalm portrays God’s grief and the consequential oath that prevented that generation from entering His rest. This theme underscores the seriousness of faithfulness and obedience in worship.
  • Rest As Spiritual Promise: The mention of ‘rest’ is a metaphor for the promised land and the ultimate place of divine communion and peace, highlighting spiritual significance of obedient worship.
  • Temporal Urgency: The psalm introduces a sense of urgency by emphasizing the immediacy of responding to God’s voice, urging worshippers not to delay in acknowledging and obeying the divine call.
  • Combination Of Jubilation And Solemnity: Psalm 95 weaves together elements of exuberant celebration and sober reflection, creating a nuanced and dynamic worship experience that encompasses both joy and solemnity.
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    Being ‘poor in spirit’ means understanding that we have nothing to offer God on our own. It’s like realizing we’re empty inside and need God to fill us with His love and guidance. When we’re humble and admit our weaknesses, God’s kingdom becomes available to us. It’s a kingdom where God’s love, peace, and goodness rule [ … ]

  • Palm Sunday | Audio Bible | A Bishop's Homily | Oliver Peers

    We process. Glass exhibition cases, old reliquaries. A forearm here; here a nun’s fingertip. In chapel, at a glance, there are the usual faces. But they all stand to attention. Jonathan breaks from the procession to – fire the organ with oomph and dignity: Ride on! ride on in majesty! The angel-squadrons of the sky look down with sad and wondering eyes to see the approaching sacrifice. When we’ve done the readings, the Arch holds that tree in his hands to deliver the homily. He rocks quietly on his feet, some few seconds, as if balance defeated it. A way you might affect as the Spirit moves… Copying. Then he says: ‘Our palm fronds may seem to us today rather dry. I mean this not in a literal sense, but by the standards of those who originally lined the roadways in order to welcome Jesus into Jerusalem, as they proclaimed Jesus to be the Messiah, who would be clambering up and ripping their palm branches fresh from off the trees. I think perhaps also our faith is somewhat distant from that of the people there on that highroad into Jerusalem, and something of our sense of the meaning has shifted in vividness from what it was then. And of course the expectation of all those many people is markedly different, but in many important respects the same. There are the same essential qualities to all our faith in God, which springs complete from our humanity, and that is one and the same in value for all of us, and time is consistent on this point. So then, let us renew the fullness of Catholic faith, and let us ask the Lord’s blessing as we embark upon our Holy Week. ‘Our Lord enters into Jerusalem in order to refresh us. He is to die in order that we may have life. There is a living reality here, both spiritual and as entangled in the joy of our daily living. We have Ladies’ Day where I grew up. They still have it, and they close the roads off, and little children parade, dressed-up like spring brides. When I was a boy, there was a May Day festival, and there was a May pole on the field, with the people dancing, like Morris dancers might be one way of visualizing this if you’ve never seen it, with their ribbons tied onto the top of the May pole, and they would weave around each other, dressing the pole, which is what we called it. It was like a dance with red and white and blue ribbons all hung off of the top of the May pole, which stood there all year, only like a telegraph pole, but it was concreted in, and then there was a slide, and swings – one baby-swing and two you could have a go at – terrible health and safety but that’s what it was in those days. ‘There was a round-a-bout – we used to run it round and round to try to get it off its central axis. It were rusty as anything and creaked like mad – on concrete. And climb up where it was all greased up at the top. Ruth, who was big as the next four of us, used to sit there sucking on the lollipops we nicked for her from Raddies, and she’d direct matters. We were trying to destroy it, and get it to dislodge from its central axis, and fly away – roll off into that farmer’s field, which he only ever kept for silage, but we never succeeded. There was a car someone had left there so we spent forever smashing that up, until someone who lived in one of the houses there took exception to our doing that, so he put thick grease under the door handles and gave us a right talking to. ‘It would only be a few stands, hot-dogs and things like that. The man selling the hot dogs would have his records on full blast. There’d be a couple of set-up stalls. Air-rifles – that sort of thing. But we all had them, and we all went shooting, of course, if not with twelve bores then with smaller gauge. Or pay a pound – I have no idea how much it was in actual fact then – it might have only been a few pennies – and we’d get all that time smashing up the crockery the man would put up for us to smash on the dressers. That was my particular favourite thing to do at these festivals, by the way, in case you were wondering. You got a little bucket of so many cricket balls. ‘I dread to think what went into those hot dogs. Probably EE rules would forbid it now. But it was a fair mix in those days. A lot of young people then were C of E. We’ve done a lot to hang onto our young people, which is a tremendous encouragement when you consider how things are, while in recent decades the Church of England hasn’t been so successful. People still want it on feast days and what are essentially now civic celebrations. It’s strange to see, though, how all the little stands there people have are run by the police and people like that along those lines. There’s no May pole. 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