‘Those who want to see into the depths must first consider the natural world, for knowledge of the Trinity is rightly compared to knowledge of the depths of the sea.’
Saint Columbanus (c. 543–615) was an Irish missionary, monk, and writer, best known for founding monasteries across modern-day France, Switzerland, and Italy. Born in Leinster, Ireland, he became a monk at Bangor Abbey under Saint Comgall. Around 590, Columbanus and twelve companions set out as missionaries to continental Europe, where he established influential monasteries, including Luxeuil in France and Bobbio in Italy. His strict monastic rule emphasized asceticism, prayer, and manual labor.
A strong advocate for Irish monastic traditions, Columbanus sometimes clashed with local bishops and rulers. He was also a prolific writer, producing sermons, letters, and monastic rules. He spent his final years in Bobbio, where he died in 615. Today, he is venerated as a saint in the Catholic Church, particularly as a patron of motorcyclists and against floods!
A Reading From The Instruction Of Saint Columbanus
God is everywhere. He is immeasurably vast and yet everywhere he is close at hand, as he himself bears witness: I am a God close at hand, and not a God who is distant. It is not a God who is far away that we are seeking, since (if we deserve it) he is within us. For he lives in us as the soul lives in the body – if only we are healthy limbs of his, if we are dead to sin. Then indeed he lives within us, he who has said: And I will live in them and walk among them. If we are worthy for him to be in us then in truth he gives us life, makes us his living limbs. As Saint Paul says, In him we live and move and have our being.
Given his indescribable and incomprehensible essence, who will explore the Most High? Who can examine the depths of God? Who will take pride in knowing the infinite God who fills all things and surrounds all things, who pervades all things and transcends all things, who takes possession of all things but is not himself possessed by anything? The infinite God whom no-one has seen as he is? Therefore let no-one try to penetrate the secrets of God, what he was, how he was, who he was. These things cannot be described, examined, explored. Simply – simply but strongly – believe that God is as God was, that God will be as God has always been, for God cannot be changed.
So who is God? God is the Father, Son, and Holy Spirit, one God. Do not demand to know more of God. Those who want to see into the depths must first consider the natural world, for knowledge of the Trinity is rightly compared to knowledge of the depths of the sea: as Ecclesiastes says, And the great depths, who shall fathom them? Just as the depths of the sea are invisible to human sight, so the godhead of the Trinity is beyond human sense and understanding. Thus, I say, if anyone wants to know what he should believe, let him not think that he will understand better through speech than through belief: if he does that, the wisdom of God will be further from him than before.
Therefore, seek the highest knowledge not by words and arguments but by perfect and right action. Not with the tongue, gathering arguments from God-free theories, but by faith, which proceeds from purity and simplicity of heart. If you seek the ineffable by means of argument, it will be further from you than it was before; if you seek it by faith, wisdom will be in her proper place at the gateway to knowledge, and you will see her there, at least in part. Wisdom is in a certain sense attained when you believe in the invisible without first demanding to understand it. God must be believed in as he is, that is, as being invisible; even though he can be partly seen by a pure heart.
Elizabeth is introduced in Luke 1:5 as a woman ‘of the daughters of Aaron,’ indicating her priestly lineage, which complements her husband Zachariah’s role as a priest ‘of the course of Abia’ (Luke 1:5). Both Elizabeth and Zachariah are described as ‘righteous before God, walking in all the commandments and ordinances of the Lord blameless’ (Luke 1:6). This emphasizes their piety and faithfulness to God’s law. Despite their righteousness, the couple is childless because Elizabeth is barren, and both are advanced in age (Luke 1:7) [ … ]
As I meditate on the love of Jesus Christ, I am reminded of the institution of the Lord’s Supper and the profound love Jesus revealed in doing so. In the midst of his last meal with his disciples, Jesus took bread and wine, gave thanks, and gave them to his disciples, saying, ‘This is my body, which is given for you. Do this in remembrance of me.’ (Luke 22:19, KJV)
YouTube: Ash Wednesday | T.S. Eliot | Audio Christian Poetry | Word Aloud Ash Wednesday, one of T.S. Eliot’s most profound and enigmatic poems, marks a significant transition in his life and work. Written in 1930, it is the first long poem Eliot composed after his conversion to Anglicanism in 1927. The poem, often considered one of Eliot’s masterpieces, delves into themes of faith, redemption, and spiritual struggle. It reflects the poet’s personal journey towards spiritual enlightenment and serves as a testament to his newfound religious beliefs. A reading of Ash Wednesday is an exploration of the poem’s religious, literary, and personal contexts, as of the poem’s complex structure and themes. Religious Context And Symbolism Ash Wednesday is deeply embedded in Christian symbolism and tradition. The title refers to the first day of Lent in the Christian liturgical calendar, a day marked by penance, fasting, and prayer. Ash Wednesday is a time for reflection on mortality and repentance, themes that are intricately woven throughout the poem. Eliot’s conversion to Anglicanism profoundly influenced his writing; ‘Ash Wednesday’ is an expression of spiritual awakening and quest for redemption. The poem is replete with religious imagery and references, drawing on Christian doctrine and scripture. The use of liturgical language, biblical allusions, and references to saints and spiritual figures creates a tapestry of faith that invites readers to contemplate deep spiritual truths with which Eliot is grappling. The repetitive and prayer-like quality of the verses echoes meditative practices of the faithful, in part enabling the contemplative nature of the poem. Literary Influences And Techniques T.S. Eliot was a master of literary allusion and technique, and Ash Wednesday expresses Eliot’s ability to blend various influences into a cohesive whole. The poem reflects the influence of Dante, particularly The Divine Comedy, which Eliot admired for its exploration of spiritual ascent and redemption. Dante’s journey through Hell, Purgatory and Heaven parallels Eliot’s own spiritual journey, and the structure of Ash Wednesday can be seen as a reflection of this pilgrimage. Eliot’s use of fragmented narrative, a hallmark of his earlier work such as The Waste Land, is also present in Ash Wednesday. However, in this poem, the fragmentation serves a different purpose. Instead of depicting the disintegration of modern society, it mirrors the fragmented and often painful process of spiritual rebirth. The disjointed structure reflects the internal struggle of the speaker, who is torn between the pull of worldly desires and the aspiration for divine grace. The poem’s language is rich and varied, combining the lyrical and the obscure, the personal and the universal. Eliot employs a range of poetic forms and devices, including free verse, rhyme and meter, to convey the tumultuous journey of faith. The shifting tone and style reflect the complexities and contradictions inherent in the spiritual quest, capturing moments of doubt, despair, hope, and transcendence. Personal Significance Ash Wednesday is a deeply personal work. Eliot’s conversion to Anglicanism marked a profound shift in his life, providing a sense of purpose and direction that had been missing. The poem can be read as a reflection of Eliot’s own struggles with faith and his efforts to reconcile his intellectual skepticism with his desire for spiritual certainty. Eliot’s personal experiences, including his troubled marriage and professional pressures, also inform the poem. Themes of renunciation and acceptance, sin and redemption, are not merely abstract concepts but lived realities for the poet. This personal dimension adds a layer of intimacy and urgency to the poem, which thereby resonates with readers who have faced their own spiritual crises. Thematic Exploration At its core, Ash Wednesday is a meditation on the possibility of spiritual renewal in a world that often seems devoid of meaning. The poem grapples with the tension between faith and doubt, reflecting the existential struggles of modernity. The poem acknowledges the difficulties of maintaining belief in an age of skepticism but ultimately affirms the possibility of redemption and grace. The central theme of renunciation is explored through imagery of ascension and purification. The speaker’s journey is marked by a series of renunciations, symbolizing the shedding of earthly attachments in pursuit of spiritual truth. This process is neither straightforward nor easy; it involves moments of intense struggle and introspection. Yet, through this arduous journey, the speaker moves closer to a state of spiritual clarity and acceptance. Ash Wednesday | T. S. Eliot Because I do not hope to turn again Because I do not hope Because I do not hope to turn Desiring this man’s gift and that man’s scope I no longer strive to strive towards such things (Why should the agèd eagle stretch its wings?) Why should I mourn The vanished power of the usual reign? Because I do not hope to know The infirm glory of the positive hour Because I do not think Because I know I shall not know The one veritable transitory power Because I cannot drink There, where trees flower, and springs flow, for there is nothing again Because I know that time is always time And place is always and only place And what is actual is actual only for one time And only for one place I rejoice that things are as they are and I renounce the blessèd face And renounce the voice Because I cannot hope to turn again Consequently I rejoice, having to construct something Upon which to rejoice And pray to God to have mercy upon us And pray that I may forget These matters that with myself I too much discuss Too much explain Because I do not hope to turn again Let these words answer For what is done, not to be done again May the judgement not be too heavy upon us Because these wings are no longer wings to fly But merely vans to beat the air The air which is now thoroughly small and dry Smaller and dryer than the will Teach us to care and not to care Teach us to sit still. Pray for us sinners now […]
