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Word Aloud | King James Version New Testament (KJV) | King James Audio Bible KJV Download

Audio Bible KJV | The King James Version | Oliver Peers Reads The New Testament

The image is the cover art for the King James Version (KJV) New Testament | Word Aloud

Please download from Audible USA or Audible UK – and in your own region this should redirect.

‘The creation of the King James Bible was an extraordinary event in literary and religious history. This was a political act of nation-building and it was a great spiritual gift, of ‘one more exact translation of the Holy Scriptures into the English tongue’, this new translation stamped with royal approval.

‘The King James Version of the Bible changed and helped create the modern English language. Just as with Shakespeare, so this magnificent text was planted deep in the English-speaking people’s consciousness, and there it would grow and thrive. We hear its influence in America, in Britain, in Australia. We hear it in India and in Africa. And here we are, at a point of origin and the heart.

‘Oliver Peers’ reading of this classic text is clean, fresh and modern. He asks the listener to hear the King James Version anew—as a contemporary text. Oliver’s stated aim has been that the glory of the language of the King James Version sit perfectly in accord, 400 years on, with easy receptivity to God’s word, just as if we were hearing a friend share a tale with us—and here we have the word of God with all the richness, the beauty and the poetry of the King James Version to delight and enthrall.’

The New Testament

This title on Audible is a recording of the KJV New Testament – unabridged.

All Gospel readings on this website are extracted from the title as available on Audible.

I hope you may feel that my readings of the books of the New Testament are a good contribution.

The title should be available globally on Audible. It is for reasons of space that I have placed links to audible.com and audible.co.uk. I understand that they should redirect to your region.

Thank you for being here and visiting this site.

Yours,

Oliver

Audio Bible KJV | Word Aloud | Oliver Peers | The Cross

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  • Berruguete-Valladolid-sculpture-gospel-Tomàs-Oliver-Peers

    The Carrefour will be open, where I can buy nuts for the red squirrel, who lives in Campo Grande. The red squirrel is Valladolid’s best bit. Even as a child, I had never seen one before, apart from in picture books. It was last term’s discovery. The most beautiful encounter. I didn’t know it was there – in the park. A complete surprise. The tiny little thing bobbled and hopped, as it received in its little hands a nut from the man’s hands. Each surprising instant – it was childlike. I whispered: ‘Oh my wow.’ I walk toward the El Cortes Ingles. There is, for now, that settled feel of friends in bookshops. Though a null-affect, neutral day – it won’t glean, it is not to be scratched at. The queues are long in the Carrefour. Though, as it might be, on relatively modest incomes, many people live centrally. Their behaviours neither pinched nor stark. Yet the shop so busy while the street so empty… An error in the simulation, a glitch in the code. I potter about the aisles, which are pleasant enough, then at the tills I flinch at how expensive a little bag of up-sold nuts can be. Nonetheless, I queue for a packet of almonds. Two English men queue directly ahead of me. They are stocky, and have gay voices, their wheelie-bucket piled with soft drinks and party food, while they bitch to one another about the obviously terrible party they’re going to. The air heaves relief as I wander up the way to the broad plaza fringing Campo Grande. This is a place to see – a piece of Spain. There is a tourist information office, though unopened. At these fountains, three girls take selfies. Pompous-looking buildings, the military offices aside, line the park’s nearest vicinities. Hotel-bars have their patches. Liveried doormen idle time, for there are no paying customers, in and out the doorways’ shadows. A mixed group of kids play at the hoops on the pedestrian boulevard, and two boys practise on skateboards, working the thing out. I pass by them, touched by the thought, and happy that they are there. Wistful, I smile at the odds of the ball spilling over to me, and play in mind the agreeable scene of a fleeting connection. Then I am through the park gates. An air now – of humanity become self-selecting. Modestly understated. Understatedly modest. Campo Grande is nice but it isn’t grande… I walk slowly, and very soon hear for a second time English voices. Not them – it is an English family, just a little way ahead, a Dad and a Mum and a younger boy and an older girl, and theirs are Midlands accents. Dad seems to have been here and to know the place. He gestures panoramically. Mum wants her lunch. The girl at a difficult age. She carries a balloon-on-a-stick. Though she is sprouting – yet wears a loud dress. Then leggings, trainers. Her hair is nice… Maybe she is being okay about it. And not horrific. It’s okay once they get into it, but those months… Yet then, they mostly blossom, if they come from a good home, and become rounded personalities, entering into their womanhood. It was that… when yet they weren’t… I shudder to think of it. They walk toward the pond, and I trail, and would follow had I not been going that way. I wish I could say something so they might hear I am English too. (Fake a phone call?) How my voice might sound – there’d be all college hurling around in such matter I… a demented thing, ludicrous blurt – of Henry, Geoff, and all of them – not to mention the personal predicament. Maybe they’re a nice family. She is letting him explain what he needs to explain. And it would blow his fire, me being English. Mum and Dad. You’d probably see them all having their lunch in a little while. All sat round the table. With napkins and the menus out. Dad looks safe.   I look into the pond. Terrapins live in there. But not today. I walk toward the join in the paths where the squirrel lives. There, I crumple the packet of almonds, making noise. I peer and I squat and crouch – chewing a mouthful. All the peacocks have perched right up in the trees’ branches. That never looks like something they should be doing. It’s disappointing that the squirrel isn’t here – but then the not-knowing-if is a part of it. Now, next, my visit to the National Sculpture Museum is an obligation. Canon Peter stood literally aghast when I hadn’t heard of it. Mortified, I made resolute promises. Though a few weeks have passed, it isn’t just any old something I could do on the hoof. A great commitment – it must command a known and prepared and anticipated not-just-any-old-time. But, rather, the sort you must wait for – and listen for.   [ … ]   Beyond Plaza Mayor, there would be a brief series of old-town alleyways. The National Sculpture Museum would be – just up there, this archway, this next…They are bleached and forgotten-looking walls, and the smoothed paving could be medieval. Not that it is making Tomàs anxious – I follow the map. A kind of place – uneasy credit-cards, and modern vaccinations, and a phone, might not help much. I fancy I feel the back-wall of a church, and that – fancifully – pressure-release drawn out of me. Only I am playing games in a nice way – making play-scared on the uncertainty – with only myself to see. The National Museum is there, modestly signed on stencilled plexiglass stuck to the stone wall. A uniformed lady sits just a little way inside the doorway. She reassures me there is no money required, and directs me over the courtyard into the planned route, showing me where I can pick up a free map. I get my […]

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    The second of the Ten Commandments, ‘You shall not take the name of the Lord your God in vain,’ is a call to reverence and respect for the divine name and for the faith it represents. The second commandment prohibits the abuse of God’s name, i.e., every improper use of the names of God, Jesus Christ, but also of the Virgin Mary and all the saints [ … ]

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    Christ calling himself the vine and believers branches reveals the nature of our intimate, organic union with Jesus. This image underscores not mere moral imitation, but ontological participation — we share in Christ’s own life. Cyril writes, ‘[T]hose who are joined to him, as branches are to a vine, share in his own nature.’ [ … ]

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