George Herbert | The Temple | The Church | Holy Communion | Christian Poems | Metaphysical Poetry

Christian Art | George Herbert | The Temple | The Church | Holy Communion

George Herbert | The Temple | The Church | Holy Communion

Not in rich furniture, or fine aray,

Nor in a wedge of gold,

Thou, who from me wast sold,

To me dost now thy self convey;
For so thou should’st without me still have been,

Leaving within me sinne:

But by the way of nourishment and strengh

Thou creep’st into my breast;

Making thy way my rest,

And thy small quantities my length;
Which spread their forces into every part,

Meeting sinnes force and art.

Yet can these not get over to my soul,

Leaping the wall that parts

Our souls and fleshly hearts;

But as th’ outworks, they may controll
My rebel-flesh, and carrying thy name,

Affright both sinne and shame.

Onely thy grace, which with these elements comes,

Knoweth the ready way,

And hath the privie key,

Op’ning the souls most subtile rooms;
While those to spirits refin’d, at doore attend

Dispatches from their friend.

Give me my captive soul, or take

My bodie also thither.
Another lift like this will make

Them both to be together.

Before that sinne turn’d flesh to stone,

And all our lump to leaven;
A fervent sigh might well have blown

Our innocent earth to heaven.

For sure when Adam did not know

To sinne, or sinne to smother;
He might to heav’n from Paradise go,

As from one room t’another.

Thou hast restor’d us to this ease

By this thy heav’nly bloud;
Which I can go to, when I please,

And leave th’ earth to their food

George Herbert | The Temple | The Church | Holy Communion

This poem centres on themes of spiritual nourishment and intimate connection between the divine and the individual soul. The poem begins by contrasting superficial wealth, symbolized by ‘rich furniture’ and ‘a wedge of gold’, with the poet’s experience of spiritual fulfilment. Here, material objects hold no power to convey the divine presence. Instead, the poet emphasizes a more personal and humble approach: sustenance provided by Christ in the Eucharist, which enters into the poet ‘by the way of nourishment and strength’. This nourishment implies a steady, almost unseen influence that fills the body and soul, offering rest and inner strength while combating the forces of sin.

The poem further describes the process by which spiritual sustenance permeates Herbert’s being. As it enters, divine grace expands from small beginnings to inhabit ‘every part’, confronting human propensity to sin. Despite this divine infiltration, the poet notes a barrier between his spiritual and physical existence. This wall—between ‘souls and fleshly hearts’—represents division of spirit and flesh, a boundary sin cannot easily transcend. The soul, however, is fortified and defended against sin through the elements of communion, which stand as protective outposts (‘outworks’) against shame and temptation.

In the following stanza, Herbert describes the ‘privy key’, a metaphor for the grace of God brought through the sacraments, which opens the ‘soul’s most subtle rooms’. This internal spiritual exchange, facilitated by communion, becomes a direct communication with God, portrayed as a ‘friend’. The relationship here is intimate, as the communion is not only seen as sustenance but also as a connection with the divine that transcends physical limitations.

Herbert pleads for the unity of soul and body, asking for his ‘captive soul’ to be reunited with God. This union, he suggests, is akin to resurrection or eternal life, achievable by God’s grace alone. Herbert reflects on how, before the Fall, humanity’s relationship with God was seamless, free from barriers. This pure state, Herbert imagines, allowed Adam to move ‘from Paradise to heaven’ effortlessly, as if crossing from ‘one room to another’. Sin, however, has since complicated this relationship, creating a barrier that now requires divine grace to overcome.

In the closing stanzas, Herbert affirms that through Christ’s sacrifice, believers are ‘restored to this ease’. The Eucharist offers a path back to unity with God, which is accessible ‘when I please’, signifying the personal, voluntary nature of this spiritual engagement. Herbert concludes by contemplating his place in the world. The material world, symbolized by ‘earth’ and ‘food’, is left behind as he turns toward the divine sustenance provided by Christ. Through this act of communion, Herbert finds a way to transcend earthly confines and reclaim the spiritual unity lost through sin.