Christian Art | A Boy Offers Jesus His Lunch To Share
Mark 8: 1-10 – Week 5 Ordinary Time, Saturday (Audio Bible KJV, Spoken Word)
1 IN those days the multitude being very great, and having nothing to eat, Jesus called his disciples unto him, and saith unto them,
2 I have compassion on the multitude, because they have now been with me three days, and have nothing to eat:
3 And if I send them away fasting to their own houses, they will faint by the way: for divers of them came from far.
4 And his disciples answered him, From whence can a man satisfy these men with bread here in the wilderness?
5 And he asked them, How many loaves have ye? And they said, Seven.
6 And he commanded the people to sit down on the ground: and he took the seven loaves, and gave thanks, and brake, and gave to his disciples to set before them; and they did set them before the people.
7 And they had a few small fishes: and he blessed, and commanded to set them also before them.
8 So they did eat, and were filled: and they took up of the broken meat that was left seven baskets.
9 And they that had eaten were about four thousand: and he sent them away.
10 ¶ And straightway he entered into a ship with his disciples, and came into the parts of Dalmanutha.
Today’s Bible verses are an extraordinary act of forgetting and of remembering. What do we mean by this? First off, we mean that Mark has not forgotten that he has already told us one story of Jesus feeding the multitude. To suggest otherwise than this would be absurd. We are intended to read this Gospel account of the feeding of a multitude in the light of our reading of the previous miracle of feeding. That’s part of the point.
These Gospel verses are, though, also recalling an act of forgetting, in that the verses deliberately recall the forgetting of Jesus’ disciples, whose hearts are hardened and who cannot think just how so many people might be fed, despite the fact that the disciples have already witnessed a feeding miracle while they have journeyed with Jesus.
The disciples’ hearts are hardened. The use of the word ‘hearts’ is significant. This is also something of a recurrent theme with Mark: there is a very raw quality to the response of Jesus’ disciples to Jesus, often characterized by disbelief.
In Mark’s Gospel, especially, Jesus can at times seem very much alone, while we are told of how his disciples simply do not understand what is happening or who Jesus is. This must represent to us one aspect of the truth of Jesus’ situation, and Jesus’ person as we approach him now.
As in other occurrences of the feeding miracles, Jesus asks those present to sit down on the ground. This has particular meaning. What Jesus is saying to the people is that they need to disarm themselves. Jesus is saying: Stop fighting; sit down.
Jesus brings to us eternal salvation, and he has also come to ask for peace on Earth now. So, Jesus says to the men gathered: sit down, put your differences aside, and share a meal.
This is an astonishing message. It is a message of peace, enacted in these verses as the people obey Jesus and sit down, as they share a meal together and are satisfied; and which resonates for all time.
Whenever we discover hatred and conflict in our hearts against any of our fellow human beings, Jesus has told us what we should do. This is that we should sit down, lose any aggressive posture, and share a meal.
If we do this, we shall be satisfied. Thanks be to God. Amen.
Concluding Prayer
Give us perfect peace, Lord,
so that we may delight in serving you
all the days of our life,
and at the last, with our Lady’s help,
come safely to your presence.
Through Christ our Lord.
Christian Art | George Herbert | The Temple | The Church | The Sinner George Herbert | The Temple | The Church | The Sinner Lord, how I am all ague, when I seek What I have treasur’d in my memorie! Since, if my soul make even with the week, Each seventh note by right is due to thee. I finde there quarries of pil’d vanities, But shreds of holinesse, that dare not venture To shew their face, since crosse to thy decrees. There the circumference earth is, heav’n the centre. In so much dregs the quintessence is small: The spirit and good extract of my heart Comes to about the many hundredth part. Yet Lord restore thine image, heare my call: And though my hard heart scarce to thee can grone, Remember that thou once didst write in stone. George Herbert | The Temple | The Church | The Sinner The poet reflects on his spiritual state, describing a struggle with weakness, sin, and the desire for divine alignment. The poem opens with the poet addressing God, expressing discomfort, likened to an ‘ague’ (fever or chill), when he searches his memory for spiritual treasures. This ‘ague’ suggests both a physical and spiritual unease, revealing the tension the poet feels in self-examination. The second line conveys a sense of regret as the poet searches for ‘treasur’d’ holiness in his memory. He recognizes that, although he might strive to keep his soul ‘even with the week’, dedicating every seventh day to God, he falls short. This phrase reflects the expectation to honour the Sabbath, but the poet’s efforts are met with disappointment in their perceived spiritual emptiness. The poet goes on to examine his inner self, describing ‘quarries of pil’d vanities’ that dominate his mind. Here, ‘quarries’ implies an overwhelming quantity of earthly or superficial concerns, while ‘vanities’ suggests that these concerns are meaningless in the context of divine expectation. In contrast, he finds only ‘shreds of holinesse’, fragmented attempts at righteousness, which he hesitates to bring forward as these elements are ‘crosse to thy decrees’, or in opposition to God’s laws. This imagery underscores the poet’s internal conflict and recognition of shortcomings. Further, the poet contrasts earth and heaven, saying that ‘the circumference earth is, heav’n the centre.’ This phrase symbolizes the poet’s focus on worldly concerns (the circumference) that orbit around a neglected spiritual core (the heavenly center). The poet reflects that his life is filled with ‘dregs’, the lesser, unrefined aspects of his being, while ‘quintessence’, or the purest part of himself, is scarce. This ‘quintessence’ is described as the ‘spirit and good extract’ of the poet’s heart, amounting to a ‘many hundredth part’ — a small fraction of life’s essence. The poet realizes that, despite attempts to cultivate holiness, his internal state largely lacks spiritual substance. The final lines shift to a plea for restoration. The poet calls on God to ‘restore thine image’, asking for renewal and transformation. This restoration request implies a yearning to reflect God’s nature more fully, as humanity is believed to be made in God’s image. The poet acknowledges that his heart ‘scarce… can grone’ to God, reflecting the difficulty he feels in truly connecting with or petitioning the divine. The poem ends with reference to the biblical account of the Ten Commandments, when God ‘didst write in stone’. This allusion serves as both a reminder of God’s past willingness to communicate directly and a plea for a similar intervention to etch divine law into the poet’s heart. The poem examines themes of introspection, human fallibility, and a longing for divine transformation. The poet’s self-examination reveals struggle to balance earthly concerns with spiritual commitments, culminating in a plea for God’s direct action to restore spiritual integrity.
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The Jews of Christ’s time thought of the coming of the Messiah and the restoration of Israel in terms of a great banquet, where poverty would give way to plenty and conflict to fellowship. Jesus has told two parables, while he dines at the house of the leader of the Pharisees, one of the choice of places at a feast and one of inviting the sick and the poor. In the light of the parables, a guest at the meal is moved to express the hope of the coming of the Messiah [ … ]
