George Herbert | The Temple | Virtue | Church | Christian Poems | Metaphysical Poetry

Christian Art | George Herbert | The Temple | The Church | Virtue

George Herbert | The Temple | The Church | Virtue

Sweet day, so cool, so calm, so bright,
The bridall of the earth and skie:
The dew shall weep thy fall to night;
For thou must die.

Sweet rose, whose hue angrie and brave
Bids the rash gazer wipe his eye:
Thy root is ever in its grave,
And thou must die.

Sweet spring, full of sweet dayes and roses,
A box where sweets compacted lie;
My musick shows ye have your closes,
And all must die.

Onely a sweet and vertuous soul,
Like season’d timber, never gives;
But though the whole world turn to coal,
Then chiefly lives.

George Herbert | The Temple | The Church | Virtue

George Herbert’s ‘Virtue’ explores themes of mortality, impermanence, and spiritual endurance through a sequence of images drawn from the natural world. The poem juxtaposes transient beauty of nature with the enduring nature of a virtuous soul, reflecting a theological worldview centred on the Christian understanding of eternal life.

The poem is structured into four stanzas, each with a similar pattern of imagery and reflection. In the first three stanzas, Herbert offers symbols of temporal beauty—a day, a rose, and spring—and contrasts such beauty with inevitable demise. The fourth stanza shifts the focus to the virtuous soul, presenting this as the only entity capable of transcending mortality. This progression mirrors a spiritual journey from an acknowledgment of the fleeting nature of worldly things to an affirmation of the soul’s alignment with eternity.

The first stanza describes the day as ‘so cool, so calm, so bright’, emphasizing harmony and balance. The day is likened to ‘the bridall of the earth and skie’, an image suggesting unity and perfection. However, this celebration is interrupted by the refrain, ‘For thou must die,’ underscoring the inevitability of the day’s end. The mention of ‘dew’ weeping at nightfall introduces a sense of quiet mourning, reminding the reader of the fragility of all earthly experiences.

In the second stanza, Herbert turns to the rose, a symbol of beauty and vitality. The rose’s ‘hue, angrie and brave’ conveys its striking and commanding presence. Yet the assertion that ‘thy root is ever in its grave’ reveals the paradox of life and death coexisting. The rose’s beauty is fleeting, bound to the impermanence of its physical existence. Its appeal, like that of the day, is undercut by its mortality.

The third stanza expands the focus to spring, a season associated with renewal and abundance. Spring is described as ‘full of sweet dayes and roses’, a collection of delights compacted into a single ‘box’. Despite this richness, Herbert observes that even spring ‘hath its closes’, a term from music that signifies resolution or ending. The stanza reinforces the idea that even the most bountiful and joyful periods are finite, subject to the passage of time.

The final stanza introduces the virtues of the soul, presenting a contrast to the impermanence of nature. The virtuous soul is likened to ‘season’d timber’, a material that does not decay or weaken. Unlike the day, the rose, or spring, the soul endures beyond the destruction of the physical world. Herbert asserts that ‘though the whole world turn to coal’, the soul not only persists but ‘chiefly lives’. This suggests a spiritual resilience that aligns the soul with eternal life, transcending the limitations of earthly existence.

Herbert’s use of repetition, particularly the refrain ‘and thou must die’, reinforces the inevitability of mortality while creating a rhythm that ties the stanzas together. The repetition also prepares the reader for the poem’s resolution, in which the focus shifts from the transient to the eternal. The progression from temporal beauty to spiritual endurance reflects the Christian journey toward salvation, emphasizing lasting value of virtue over fleeting pleasures.

‘Virtue’ reflects a theological perspective on life and death. The poem invites the reader to contemplate the fleeting nature of worldly beauty while affirming the enduring power of the virtuous soul, grounded in its connection to the divine.