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Miserere Mei | Psalm 51/50 | KJV King James Bible Psalms | Have Mercy Upon Me | Audio Bible

Audio Bible | KJV Psalms | Miserere | Psalm | King David | Have Mercy Oh Lord | Jesus | Confession | Oliver Peers

The image depicts King David at prayer from The Book Of Hours

Miserere Mei. Psalm 51/50. Have mercy upon me, oh Lord. Here the KJV King James Bible text.

YouTube: Psalm 51 KJV Audio | King James Audio Bible

Traditionally ascribed to King David, upon the discovery of his adultery, this psalm represents and enacts a perfect act of contrition, from the awareness and acknowledgement of sin, through acknowledgement of God, to celebration and renewal in faith with God.

It is to the choirmaster, a Psalm of David, when Nathan the prophet came to him, after he had gone in to Bathsheba. There is lust and in effect murder – as recounted in The Second Book Of Samuel, Chapter Eleven. King David’s is the behaviour of a despot. David has engaged multiply in evil.

The psalm is a plea to God for purification from sin and for a heart made clean.

The progression of the psalm is both exquisitely beautiful and in its way obvious and perfect. This is a model for Christian confession, for the sacramental reconciliation with God.

King David wholly acknowledges his sins. He acknowledges the blameless perfection of God, and that his sin is against God. He acknowledges the justice of God’s judgement, and he yet pleads clemency – mercy.

King David acknowledges his low state – his being born a sinner, through frailty of human condition. This saying acknowledges our imperfect relationship with sex. We are called to acknowledge disorderly aspects of our sexual instincts. We do not know specificity how King David was conceived. We may sense through the the saying that he was conceived in sin and iniquity that there is a strong sense of divergence from God as regards sexual matters. It might seem abundantly clear that there is a very serious need for purification as for a more orderly disposition regarding sex.

King David throws himself upon God’s mercy and begs for healing and wisdom in his inmost heart. There is a longing for Jesus – for deliverance from sin. This is an immensely complex psalm. There is an equation of sin, transgression, confession, and of God’s mercy, with the renewal of a capacity for prayer.

This new spirit – which is Christian – directs the sinner to unity with the Church in God – as the psalm anticipates Jesus.

It is transcendent – perfect. And yet so simple – as a sinner’s tears when we own up to God our sins. It is good to love this psalm. It is a model for all of us. There often should be tears at confession – and additionally joyful beyond remorse.

For Jesus we can all be sinners returned home. The psalm is of a piece with Jesus’ saying to the rich young man: ‘Sell everything you have and give the money to the poor and follow me.’ This is faith in Jesus. Amen.

  • George Herbert | Temple | Church Floor

    The poem describes a metaphorical interior of a sacred space. This symbolizes a concept of the human heart as a temple built by God. Each element of the architecture serves as an allegory for spiritual virtues, struggles, and the divine influence in maintaining the integrity of the space. The poet weaves a contemplative vision that ties physical imagery to theological themes [ … ]

  • Audio Bible | Parable Of The Unjust Steward | Oliver Peers

    Today’s parable may seem to us to be very strange. Fired for corruption, for being wasteful with the rich man’s property, the dishonest steward goes on to compound the error with outright criminality, marking down the debts of the rich man’s debtors in order to secure future favours. And Jesus praises him! [ … ]

  • Ash Wednesday | T.S. Eliot | Christian Poetry | Faith In Jesus Christ | Transformation | Healing | Redemption | Audio | Word Aloud

     YouTube: Ash Wednesday | T.S. Eliot | Audio Christian Poetry | Word Aloud Ash Wednesday, one of T.S. Eliot’s most profound and enigmatic poems, marks a significant transition in his life and work. Written in 1930, it is the first long poem Eliot composed after his conversion to Anglicanism in 1927. The poem, often considered one of Eliot’s masterpieces, delves into themes of faith, redemption, and spiritual struggle. It reflects the poet’s personal journey towards spiritual enlightenment and serves as a testament to his newfound religious beliefs. A reading of Ash Wednesday is an exploration of the poem’s religious, literary, and personal contexts, as of the poem’s complex structure and themes. Religious Context And Symbolism Ash Wednesday is deeply embedded in Christian symbolism and tradition. The title refers to the first day of Lent in the Christian liturgical calendar, a day marked by penance, fasting, and prayer. Ash Wednesday is a time for reflection on mortality and repentance, themes that are intricately woven throughout the poem. Eliot’s conversion to Anglicanism profoundly influenced his writing; ‘Ash Wednesday’ is an expression of spiritual awakening and quest for redemption. The poem is replete with religious imagery and references, drawing on Christian doctrine and scripture. The use of liturgical language, biblical allusions, and references to saints and spiritual figures creates a tapestry of faith that invites readers to contemplate deep spiritual truths with which Eliot is grappling. The repetitive and prayer-like quality of the verses echoes meditative practices of the faithful, in part enabling the contemplative nature of the poem. Literary Influences And Techniques T.S. Eliot was a master of literary allusion and technique, and Ash Wednesday expresses Eliot’s ability to blend various influences into a cohesive whole. The poem reflects the influence of Dante, particularly The Divine Comedy, which Eliot admired for its exploration of spiritual ascent and redemption. Dante’s journey through Hell, Purgatory and Heaven parallels Eliot’s own spiritual journey, and the structure of Ash Wednesday can be seen as a reflection of this pilgrimage. Eliot’s use of fragmented narrative, a hallmark of his earlier work such as The Waste Land, is also present in Ash Wednesday. However, in this poem, the fragmentation serves a different purpose. Instead of depicting the disintegration of modern society, it mirrors the fragmented and often painful process of spiritual rebirth. The disjointed structure reflects the internal struggle of the speaker, who is torn between the pull of worldly desires and the aspiration for divine grace. The poem’s language is rich and varied, combining the lyrical and the obscure, the personal and the universal. Eliot employs a range of poetic forms and devices, including free verse, rhyme and meter, to convey the tumultuous journey of faith. The shifting tone and style reflect the complexities and contradictions inherent in the spiritual quest, capturing moments of doubt, despair, hope, and transcendence. Personal Significance Ash Wednesday is a deeply personal work. Eliot’s conversion to Anglicanism marked a profound shift in his life, providing a sense of purpose and direction that had been missing. The poem can be read as a reflection of Eliot’s own struggles with faith and his efforts to reconcile his intellectual skepticism with his desire for spiritual certainty. Eliot’s personal experiences, including his troubled marriage and professional pressures, also inform the poem. Themes of renunciation and acceptance, sin and redemption, are not merely abstract concepts but lived realities for the poet. This personal dimension adds a layer of intimacy and urgency to the poem, which thereby resonates with readers who have faced their own spiritual crises. Thematic Exploration At its core, Ash Wednesday is a meditation on the possibility of spiritual renewal in a world that often seems devoid of meaning. The poem grapples with the tension between faith and doubt, reflecting the existential struggles of modernity. The poem acknowledges the difficulties of maintaining belief in an age of skepticism but ultimately affirms the possibility of redemption and grace. The central theme of renunciation is explored through imagery of ascension and purification. The speaker’s journey is marked by a series of renunciations, symbolizing the shedding of earthly attachments in pursuit of spiritual truth. This process is neither straightforward nor easy; it involves moments of intense struggle and introspection. Yet, through this arduous journey, the speaker moves closer to a state of spiritual clarity and acceptance. Ash Wednesday | T. S. Eliot Because I do not hope to turn again Because I do not hope Because I do not hope to turn Desiring this man’s gift and that man’s scope I no longer strive to strive towards such things (Why should the agèd eagle stretch its wings?) Why should I mourn The vanished power of the usual reign? Because I do not hope to know The infirm glory of the positive hour Because I do not think Because I know I shall not know The one veritable transitory power Because I cannot drink There, where trees flower, and springs flow, for there is nothing again Because I know that time is always time And place is always and only place And what is actual is actual only for one time And only for one place I rejoice that things are as they are and I renounce the blessèd face And renounce the voice Because I cannot hope to turn again Consequently I rejoice, having to construct something Upon which to rejoice And pray to God to have mercy upon us And pray that I may forget These matters that with myself I too much discuss Too much explain Because I do not hope to turn again Let these words answer For what is done, not to be done again May the judgement not be too heavy upon us Because these wings are no longer wings to fly But merely vans to beat the air The air which is now thoroughly small and dry Smaller and dryer than the will Teach us to care and not to care Teach us to sit still. Pray for us sinners now […]

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